| "It's a strange place because there's 
                    been a lot of success. I came to Manchester six years ago. 
                    Particularly in the last eighteen months, there's been a sudden 
                    emergence of bands that are doing well industry-wise. There 
                    are about six or seven, all of whom who have claimed some 
                    kind of broader extra Manchester success, which hasn't been 
                    the case for a few years. There were a couple of failures 
                    specifically Nylon Pylon. Theirs is a sad story because they 
                    didn't like what they were recording but Bruce, the lead singer, 
                    has a new band called The Whip and they are fucking ace. I 
                    think Manchester is the hardest place to play in Britain and 
                    it's echoed by a lot of bands that I speak to. It's a city 
                    that looks after its own legacy very carefully. As if there's 
                    some kind of collective, crowd mentally that seems to govern 
                    what they like and what they allow. The Longcut, Nine Black 
                    Alps, Fear of Music, it's been a long time since you could 
                    trip off names of not just tad guitar bands. Each band actually 
                    has an exciting element to them. The diversity of bands there 
                    is brilliant. The attention may be elsewhere but it's an interesting 
                    time to be in a band in Manchester."
 As the band doesn't have a drummer, Joe claims that they sometimes 
                    get classed as nerds or geeks or archily superficial. The 
                    narrow mindness of people about the concept of bands doesn't 
                    help. Perhaps, Performance doesn't fit into the mould that 
                    some would consider indie music.
 
 "It worries me that indie music is becoming all corduroy 
                    flares. It's self-defeating and self-limiting. Sometimes it 
                    doesn't manage the aesthetics solidly enough. It doesn't keep 
                    control of how it projects itself and effects people. At worse 
                    there's three boys on stage doing boring music about an ex 
                    girlfriend. At best, marshalling your image, controlling artwork, 
                    press releases and videos to what you wear, if you control 
                    all that it's not being superficial. It's a war; the whole 
                    culture is a war. Unless bands are willing to take control 
                    and make the most of every facet of being a band, then we'll 
                    lose the war to some pre-packaged crap with a cleavage infested 
                    video."
 
 Interview by Andrew Mclean 2005, Photography 
                    © Performance 
                    2005
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