| They will get an inteniry 
                  of what they'll be doing but most of them don't get any input 
                  at all. Certainly everyone asks us about Natalie Imbruglia and 
                  what she thinks. I don't think she's ever even heard it. We'll 
                  ask the A&R man does the artist like it and they'll of course 
                  say "yes". We remixed the Manic Street Preachers and 
                  it was probably the best remix that we had ever done. It was 
                  needed by the end of this week for 'The Everlasting'. It's going 
                  to be on our album because it's the best piece of music we've 
                  ever made. We remixed it and gave them the details of a keyboard 
                  sample. We told them because we didn't want them to get fucked 
                  up about it. As soon as they got it they were like "What? 
                  Samples, who said you could use samples, we're not using it". 
                  We had spent a week and half doing this remix. Steve went into 
                  overtime because he likes the band. He put all this effort into 
                  it. But it was the lawyer. The Manics liked it. That has been 
                  the only time we've experienced that type of problem." With every good offer I expect there comes a bad offer?
 "Bewitched asked us, INXS asked us but we didn't want to 
                  do those at all. The Hurricane#1 remix, I admit we did that 
                  for the money. We had to do it but there's very few like that. 
                  We knew that we could do the Hurricane#1 remix because the music 
                  was actually quite good."
 Quite good? This objectivity suggests that a song must meet 
                  certain criteria before it receives the special Rae & Christian 
                  treatment?
 "We will always listen to an original song and if we hate 
                  the vocals, then we won't remix it."
 It's as simple as that then?
 "There was a band we were asked to remix by Epic. I can't 
                  remember the name, basically it was Air but with fifty percent 
                  of any quality removed. Exactly the same as Air, like the vocals 
                  at key changes, keyboards etc and we turned
 it down because we thought it was a disgusting attempt to sound 
                  exactly like someone else. We don't want to be associated with 
                  people doing shit. But then again if someone's got a shit record 
                  and you can do a remix which really catches people's imagination 
                  and attention then fuck it, it's brilliant in some ways as well. 
                  >>
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